The Scanimate Channel
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Joe Mullen talks about using Scanimate to make new high-def graphics for the Got Milk campaign
davesieg
4,884 views
The Scanimate analog computer used to do many of the most memorable animated graphics from the seventies and eighties has found a new niche thanks to Buck.tv and the RED Di...
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1275 successive single frame edits from 1979
davesieg
1,017 views
In 1978 I built an electronc editor for an RCA TR-5 quad VTR. To test its reliability, I set it to make a single frame edit, advance the in and out frames and roll back an...
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Blame it on the Boogie
davesieg
601 views
While I worked at Image West, we did a number of effects using a Quantel 3000 framestore to create "trails", including this Michael Jackson video, "Blame it on the Boogie"....
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I Know That You Know - Larry Odham
davesieg
342 views
Larry Odham finger pickin' Chet Atkins style
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Dream A Little Dream of Me - Larry Odham
davesieg
632 views
In addition to being a Quad tape guru, Larry channels his hero, Chet Atkins. Finger-pickin' good!
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Getting a 2" Quad Videotape to Play
davesieg
10,868 views
We forget sometimes how far video technology has come in just the past few years. I recently needed to get some video from an old 2" Quad videotape and discovered that the...
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Roy Weinstock talks about doing live Scanimate animation for the 20th Grammy Award show
davesieg
1,616 views
In 1978, Image West produced live realtime animation with their Scanimate analog computers during the 20th Annual Grammy Award show. I interviewed Roy Weinstock who was an...
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My Interview with Henrietta Jordan
davesieg
123 views
Sadly, Hank passed away this week. I found this interview I recorded in August of 2004, shot at Jeff Kleiser's house in Hollywood during SIGGRAPH. We will miss you Hank
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Scanimate Effects Excerpt
davesieg
2,057 views
This excerpt from my DVD "The Dream Machine" describes some of the Scanimate effects and lore.
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Neshoba County Fair, 1976
davesieg
2,929 views
16mm film shot at the Neshoba County Fair near Philadelphia, Mississippi in 1976. Mostly experimental time-lapse. Camera: Dave Sieg, David Cole, Music: Wil Onstott
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