Edelweiss
Terry Wey was born in September 1985 in Bern, Switzerland. After seeing his fir
Edelweiss
Terry Wey was born in September 1985 in Bern, Switzerland. After seeing his first and still favourite opera, "Il Trovatore" by G. Verdi, at age 4 he knew that he wanted to become a singer.
He joined his first choir, The Berner Kinderchor, at age 6 performing in "La Boheme" in the Bernese City Opera house and other various concerts. At age 7, he joined Knabenchor Roggwil under R. Favre. Here he performed in Mozart's "Magic Flute" in Baden for the first time, followed by concert tours through Italy singing Bach's "St. Matthews Passion" with the Orchestre Symphonique Neuchatelois and performances at the "Goetheanum" and the "Tonhalle" in Zurich.
After seeing a TV-documentary on the Vienna Choir Boys he auditioned and was accepted to attend Vienna's preparations-choir. From 1995 until 1998, he was a member of the Schubert choir, one of the four concert choirs of the Vienna Choir Boys performing in more than 300 concerts. He soon became a soloist,eventually singing solos in all four choirs in tours around the world.
After leaving the Vienna Choir Boys, he recorded his two private CDs, "Born to sing" and "O Holy Night".
Lorin Wey was born on April 3, 1990 in Berne, Switzerland. In 1994, he moved to Vienna, where his older brother, Terry, joined the Vienna Choir Boys. Lorin entered the kindergarten of the Vienna Choir Boys, and continued on to their primary school.
As a member of the choir, he sang various masses in the Imperial Chapel, and in Carmen in the Vienna State Opera. After a tour to Australia and New Zealand, he left the choir and enrolled in the Vienna Musikgymnasium (music high school). In 1999, Lorin played the boy Mozart in a Japanese film, with the conductor Charles Dutoit as Father Mozart.
http://www.pascalmore.de/CDinfo-e-Classic.htm
http://www.tadpolemusic.com/index.htm
"Edelweiss" is a Rodgers and Hammerstein song from musical and film The Sound of Music. It is named after the Edelweiss, a white flower found high on Alpine hills. In The Sound of Music, the song is used as a double metaphor: First it is sung by lonely Captain Georg Ritter von Trapp, a widower, as he rediscovers music and a love for his children, in a rebirth similar to the flower's rebirth after the snows of winter recede. Second, it is sung as a defiant statement of Austrian patriotism by the von Trapp family in the face of pressure to join the Third Reich.
The great popularity of the song has led many of its audience to believe that it is an Austrian folk song or even the official national anthem.[1] In actuality, Austria's official anthem is "Land der Berge, Land am Strome". The Edelweiss, however, is a popular flower in Austria, and was featured on the 1 Schilling coin and can now be seen on the 2 cent Euro coin. The edelweiss is also worn as a cap device by certain Austrian Army mountain units.
The music was written by Richard Rodgers with lyrics by Oscar Hammerstein II and was the final song that the great duo wrote together — Hammerstein would die nine months after the premiere of the musical.
Edelweiss, edelweiss,
every morning you greet me.
Small and white, clean and bright,
you look happy to meet me.
Blossom of snow, may you bloom and grow,
bloom and grow forever.
Edelweiss, edelweiss,
bless my homeland forever.
http://en.wikipedia.org/wiki/Edelweiss_%28song%29
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Gioacchino Rossini(1792-1868) is indissolubly linked with opera, but he also composed sacr
Gioacchino Rossini(1792-1868) is indissolubly linked with opera, but he also composed sacred music, including the Stabat Mater and the Petite Messe solennelle. As he wrote in a letter to the critic Filippo Filippi, 'all genres are good except the boring one'.
O salutaris hostia is a moving homophonic motet for unaccompanied four-part choir, published in Paris in 1857.
From album 'Panis Angelicus'(1993). Dir.: James O'Donnell.
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Some stunning psalm singing from Westminster Cathedral.
Added: 9 months ago
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documentario sull'aquila in italia
Added: 7 months ago
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Claudio Monteverdi: Vespro della Beata Vergine (1610).
Intonato:
Deus in adiutorium
Claudio Monteverdi: Vespro della Beata Vergine (1610).
Intonato:
Deus in adiutorium meum intende.
Responsorium:
(sex vocibus & sex instrumentis).
Domine ad adiuvandum me festina.
Gloria Patri, et Filio, et Spiritui Sancto.
Sicut erat in principio, et nunc,
et semper et in saecula saeculorum.
Amen. Alleluia.
Intonation:
God, make speed to save me!
Responce:
(for six voices and six instruments)
Lord, make haste to help me!
Glory be to the Father and to the Son:
and to the Holy Ghost.
As it was in the beginning,
is now and ever shall be: world without end.
Amen! Alleluia!
La Cappela Reial.
Choeur.
Montserrat Figueras (Soprano).
Maria Cristina Khier (Soprano).
Guy de Mey (Tenor)
Gerd Turk (Tenor).
Gian Paolo Fagotto (Tenor).
Pietro Spagnoli (Baryton).
Dir. Jordi Savall.
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